The news that the play
"Under Milk Wood" is being done as an opera caught the eye and gave a
jolt to the memory. How well the opera
works and whether it is a success or not is in the lap if not of the gods then
at least the audiences.
Wales has retained a good
deal of its varied musical interests although it is removed from The Land Of
Music that once it was. But this piece
is an interesting choice as opera because in its original form it may have been
poetic verbal with incidental sound but there was a clear lyricism to the words
and expression.
Dylan Thomas, like many
others from that period has gone well out of fashion. Once dangerously and seditious modern works
have now retreated into a never never land between the new modern and the old
traditional. The late 40's and 50's are
now a period we prefer to forget.
The memory lurch was that
in late 1956 I turned up in London and playing rugby inevitably found myself
among a group of Welshmen. One evening
when the beer money was short it was cheaper to go a theatre and they were anxious
to see Under Milk Wood done as a play rather than as sound on the radio.
It was at the New Theatre,
later the Albery, now the Noel Coward. I
wonder what Dylan would make of this connection to his piece which was as far
removed from Noel Coward then as you could get.
It ran for seven months,
long enough for the Welsh in London to have a chance to see it, but as an
unusual and distinctive play did not attract the usual West End audience. None the less it was a striking performance
and Donald Houston, I think, was the narrator.
Huw Griffiths perhaps was in the cast.
Unluckily despite the
power of the internet I have yet to turn up a full cast list and wonder whether
Richard Burton was involved. One has to
be careful of "false memory" because you think you would have liked
him to be in the play.
This was a time when not
only were there cohorts of the Welsh in London, but substantial numbers of
Irish and Scots and across both the classes and locations. There were some leanings, the Welsh to
education, the Irish to health and the Scots to police, government and jobs
that involved bossing people about.
This did lead to some
stereotyping at the time, which was then routine and not punishable by
law. One of the consequences of the
developments of recent years is that now when in London to hear those accents
is becoming rare events.
It is almost as if the
numbers of other incomers have led to the effective exclusion of many ordinary
people from the other parts of the Atlantic Isles. In that period the idea of the UK included
the theory that London was home for large numbers of people from elsewhere in
the Atlantic Isles.
If that has effectively
ceased then it is little wonder that London is seen to have become another
country and the other parts of the Isles have not just begun to drift apart but
to see themselves as no part of a London dominated polity.
So is it the beginning of
an end?
My aunt had a distant family connection with Dylan Thomas. She said he was a horrible man.
ReplyDeleteIn the mid 50's the Welsh I knew had known people who knew Thomas. The word was that he was difficult arising from his eccentricity and single mindedness.
DeleteIn the mid 50's the Welsh I knew had known people who knew Thomas. The word was that he was difficult arising from his eccentricity and single mindedness.
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