What is the secret of
Shakespeare? It is not so much a secret but information lost, forgotten, not looked
for or not realised. Some of this has
been covered before in a longer item, linked below.
These are added
comments. One is that he grew up in a
house of business with a father in constant and continuing work with others
senior in trades and many working people.
The business records are lost but we can imagine what they would have
involved.
Critically, he published
and in London with enough surviving copies for others to use and draw on. It is now being admitted that he was not
likely to be some lone intellectual in a garret struggling with the words but a
business man in property, an impresario and a man with theatres to fill.
My guess is that the
structure of the plays could have been the product of joint effort with senior
actors and others. Once more or less in
place the words followed. When it came
to words, Shakespeare was gifted, capable and disciplined. He would have been aware of the timing and
the amount needed.
Life in those days offered
intense, continuing and relentless verbal exchange. This would have been with persons of
different classes, trades, standing, attitudes, experience and much else. The living of life was in a flood of personal
contacts of all descriptions.
This previous blog of 25
October 2011 suggests at length that what mattered would have been the prime
"network" in which he operated.
It is a complicated tale not just of country folk but of part of London
society as well.
An earlier blog of 12
October 2010 had also referred to this in the context of an item having a go at
Andrew Marr for being rude about bloggers.
Another matter is that in
going back to his time we need to put aside our present maps and notions of
transport and movement. It was a
different England then and another world of travel. We have forgotten not only how the roads ran
but how much use may have been made of local waterways.
The maps were
different. Before the tidying up of
county boundaries of the late 19th and early 20th Centuries there were many
enclaves of one county within another, notably around the West Midlands and
Cotswolds.
Just south of Stratford
there was a large tract of a part of Worcestershire within Warwickshire until
1931. It was in the Hundred of
Doddington and at one time had been connected to the Abbey of St. Mary's of
Pershore.
Just this month the Royal
Ballet have based their latest major narrative ballet on his play "The
Winter's Tale" a work with a complicated plot and emotional content. The reviews have been welcoming and we
enjoyed it having seen the play more than once and firstly long ago at
Stratford.
Four hundred years on and
his work still inspires and informs new productions in different ways.
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