The BBC has a
set of linked programmes "A Century Of Music" looking at aspects of
the Classical Music of Britain during the 20th Century which will run through
to next summer. There is a great deal taken from archives in a number of the
programmes. This post from five years ago, November 2013 is a parallel to
these.
One of the
iconic music films is Ken Russell's 1962 "Elgar" which has as a
central theme the composer's relationship with the rural part of the
Worcestershire and Herefordshire boundary and centring on The Malvern Hills. He
was part of it as child and man and walked and cycled around the parishes and
villages.
Tony Palmer,
another maker of striking films about music makers made his "A Time There
Was" about Benjamin Britten in 1980. Apart from the English setting and
backgrounds there seems to be little connection between the two other than
music. Britten was placed at Aldeburgh on the East Coast where he lived for
much of his life and the opera "Peter Grimes" is based.
What matters in
the Palmer film is that he was able to interview Britten's sisters and brothers
who survived him. A feature is their voices, the received pronunciation now alleged
to be "posh" or "elitist" or upper class but then a normal
speech for very many.
But when you
start to study the documents now available there is another story. Because
Britten was just as much a man of the area of The Malverns as Elgar, indeed
more so in terms of his family history.
Elgar's father
was a Man of Kent, born in East Kent who moved to Worcester and married a local
girl. Involved in local music and running a music shop. His younger son Edward
was drawn into this world. It was from these lower middle class beginnings that
Elgar had to make his way.
In the earlier
generations those of the Elgar family who can be traced were largely in
ordinary occupations substantially farming connected. They were not in the
labouring class but certainly not much up the class scale. His mother, however,
was a Greening and they were very ordinary rural people.
Britten's
father was a Charing Cross Hospital trained dentist who made a decent living
and was able to educate his children to a good standard. His mother, given as
Hockley but actually Hockey was from a lower background but they look very much
like skilled men and tradesmen down the generations.
The father,
Robert, was born in Birkenhead, his father Thomas, then a draper but later a
dairy owner. It is said that Robert wanted to be a farmer but did not have the
capital. There is more to it than that, because the family and most others were
being thinned out by the gathering agricultural depression of the late 19th
Century.
Before Thomas
Britten the family were farmers and very much in the category of Yeoman farmers
with decent sized holdings. The district where they were then settled for
generations was by The Malverns and go back to at least the 17th Century.
It is difficult
to see either of Elgar or Britten as "farmer's boys" whose roots are
in the "Middle England" of the time, yet essentially this is what
they were. So if critics sneer about the "rural" and very
"English" nature of some of their music and others from that general
area then it is only what they were but their families before.
This world was
one utterly foreign to the present younger two or three generations in this
country, whether it is the English, Scots, Irish or Welsh kinds. They know
nothing about the real history of the life as it was, whether it was the
farming, maritime or other basic elements of Britain.
Anything they
are told about the past reflects only the obsessions and propaganda of present
politics and interests. As for agriculture most of the population is blissfully
unaware of how or where what is grown or by whom. The vast majority see the
green parts as either playgrounds, facilities for preferred wildlife or
opportunities for property development.
Our own
countryside and real rural history as it was almost within my memory is now a
lost world and a lost people, almost as remote in modern society as the Aztecs
or Ancient Egyptians. When we look at films about those who were close to it
the reality of their own connection and the influence it may have had is never
mentioned because it is never researched or understood in its own terms and
context and the films are made by people with other agendas.
What I did not
realise when shuffling through the records out of incidental interest was that
it would become personal. A forebear in the direct male line in 1841 was
working on a farm along the road from Britten's farmer great grandfather also
in the direct male line.
Going back
further the other family links in the area turn up in the same villages and
then merge. They look to be a group of Yeomen farmers, Parish Gentry,
Husbandmen and the like of independent mind and running their own parishes as
far as possible.
One of the
connecting families is a Vobe. A branch of these turn up in Williamsburg in
Virginia in the later 18th Century running the "Kings Arms" Inn. A
local called George Washington often dined there.
"They know nothing about the real history of the life..."
ReplyDeleteThat bothers me. I catch so many glimpses of it even in teachers.
I sometimes wonder how people manage to place themselves in a wider and older reality but the short answer is - they don't.